My practice is grounded in drawing. For me, this involves dwelling close to and moving slowly across the drawing surface, being attentive to the singularity of every drawn gesture as a form of sensorial and mindful engagement that facilitates meditative making and looking. I develop each drawing through a methodical and contemplative process, in which geometric arrangements sit alongside the fluctuation of individual touch and tactile experience that operate on thresholds of sight. Through drawing, I seek qualities of stillness as a way of being in the here and now of the perceptual, perpetual present.